Carrie White - Chloe Grace Moretz
Miss Desjardin - Judy Greer
Chris Hargensen - Portia Doubleday
Margaret White - Julianne Moore
Director - Kimberly Peirce
Screenplay - Roberto Aguirre-Sacasa
Based on the novel Carrie by Stephen King
Rated R for bloody violence, disturbing images, language and some sexual content
Chloe Grace Moretz and Academy Award nominee Julianne Moore star in
the remake of one of the greatest horror films of all-time, Carrie.
Carrie White (Chloe Grace Moretz) is a shy and outcast girl going
through the final months of her senior year in high school. One day,
after gym class, she goes through her first period - at the surprising
age of 17 - while in the gym showers. Knowing absolutely nothing about
periods, Carrie believes she is bleeding to death. This event leads to
much mocking and eventually a social media prank from Chris Hargensen
(Portia Doubleday). However, Carrie is able to find some help and solace
in her gym teacher Miss Desjardin (Judy Greer)
Things start to perk up for Carrie the moment she is asked to the prom
by one of the popular kids in the school, but her overly-religious,
self-abusive mother Margaret (Julianne Moore) feels the kids there will
only laugh at her.
1976's Carrie
is one of the greatest horror films of all-time. What made it so
chilling was the fact that three-fourths of the film was more an
effectively sympathetic coming-of-age tale for Carrie White that made
the moments of horror in the final prom scene act all the more chilling.
When I first saw the trailer for this new remake, I kinda went into
Walter White mode, "... Tread... lightly.", but as I said earlier this
week, I've been surprised by remakes before. It's such a shame that this
film, like most horror remakes, falls flat. Somewhere within Chloe
Grace Moretz is a talented actress. I thought she was great as Hit-girl
in the first Kick-Ass, but after Let Me In, then Dark Shadows, her moody turn in the Kick-Ass 2
and now this, I get it. She can play sullen, moody and creepy well.
Whoopty-doo! There are moments when Moretz is effective, particularly
when she's with Judy Greer, but overall I didn't feel for her character
the way I did with Sissy Spacek's portrayal. Julianne Moore is one of
best actresses of the past twenty years; in fact, one of the criticisms I
had about Don Jon is that I wanted to see more from her character.
Here, though, she's too over-the-top and her self-abusing moments were a
bit head scratching. Granted, in the original, Piper Laurie was
over-the-top as well, but in a good way that left you feeling unsettled,
and that final shot of her with that slight smile on her face still
sends a shiver down my spine. Alex Russell is more than miscast as Billy
Nolan. John Travolta originally played him and was able to capture the
immature stupidity that normally comes with being a high school
troublemaker. Russell looks more like he's fresh out of prison than
detention. All those are minor criticisms compared to my biggest beef
with the film. About halfway through, I started thinking okay, maybe
this will land somewhere in my "rent it" range... then the prom scene
prank happened and I not only didn't like the direction Kimberly Peirce
went with it, I actually hated it. What irked me was how they made
Carrie appear morbidly pleasured from wreaking havoc on all the students
that were taunting her... No. No, no, no, no, no, no! "Don't hurt me,
Carrie.", Sue Snell says to which Carrie replies, "... Why not?" Sissy
Spacek's Carrie was never amused by her powers. Curious? Yes, but at
times she seemed overwhelmed even frightened of what she was capable of
doing. The way director Brian de Palma handled the student slaughterings
was brilliant. Not a sound is heard other than the sounds of kids
screaming while the eery and piercing soundtrack plays in the
background. Carrie says nothing and is expressionless. There are no
stupid smirks on her face. It's as if her powers overtook her. Here we
have another case of "Child in the Candy Store" syndrome. You have all
this updated use of technology, so let's just ramp everything up to the
max, and to be honest, I didn't have too much of a problem with that.
It's visually impressive at times, but the way they botched the
character of Carrie made me care less how impressive it was
There are a few bright spots here. I enjoyed Ansel Elgort's take on
Tommy Ross (originally played by William Katt) and Judy Greer, although
not as "tough as nails bitch" as Betty Buckley, had some nice moments
with Moretz as the school's gym teacher. The problem is Peirce's
direction and Roberto Aguirre-Sacasa's screenplay distort Carrie into an
unsympathetic character. Plus, aside from a couple minor changes (an
unnecessary intro and an eye-rolling reveal about Sue Snell at the end
that had me groan out loud), this remake actually doesn't do anything
that the original already didn't do. What we're left with is a "been
there, done that" film containing minor changes that, aside from the
present day social media updating, don't work at all. I may sound trite
right now, but just watch the original. Trust me. I give Carrie a D+ (★½).
No comments:
Post a Comment